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“WE SANG ALLELUIA, PRAISE THE LORD!”: AFRICAN-AMERICAN IDENTITY AND THE USE AND RECEPTION OF MUSIC WITHIN A SEVENTH-DAY ADVENTIST CHURCH IN NEW YORK CITY, 1970 – 2010
“WE SANG ALLELUIA, PRAISE THE LORD!”: AFRICAN-AMERICAN IDENTITY AND THE USE AND RECEPTION OF MUSIC WITHIN A SEVENTH-DAY ADVENTIST CHURCH IN NEW YORK CITY, 1970 – 2010

By Satvik Trivedi

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Market participation and profitability of cotton production in Malawi
Market participation and profitability of cotton production in Malawi

By Kartik Beniwal

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Zoo
Zoo

By Lilavati Dubey

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The effect of directed attention score study procedures on music majors' error detection in three-part instrumental music
The effect of directed attention score study procedures on music majors' error detection in three-part instrumental music

By Aadidev Kamble

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The Ambiguity of Diversity: How Parents Understand and React to School Desegregation Efforts
The Ambiguity of Diversity: How Parents Understand and React to School Desegregation Efforts

By Bhagya Kulkarni

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Imágenes Imaginarias: La Ficción de España Bajo Francisco Franco
Imágenes Imaginarias: La Ficción de España Bajo Francisco Franco

By Ashabai Kataria

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Divine Absence, Divine Presence: The Theological Arguments of Elizabeth Singer Rowe’s the History of Joseph
Divine Absence, Divine Presence: The Theological Arguments of Elizabeth Singer Rowe’s the History of Joseph

By Adidev Gangwar

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The Mountains at the End of the World: Subcultural Appropriations of Appalachia and the Hillbilly Image, 1990-2010
The Mountains at the End of the World: Subcultural Appropriations of Appalachia and the Hillbilly Image, 1990-2010

By Aditya Kaushal

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Model Behavior: Using Photogrammetry for Collections Storage Planning
Model Behavior: Using Photogrammetry for Collections Storage Planning

By Agnivesh Bhide

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Compositions for 0 or 1 Performers
Compositions for 0 or 1 Performers

By Akshay Bishnoi

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